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FEATURED ARTICLE
Shaping the Next Generation
Artistic Director Jean-Sébastien Vallée’s commitment to choral education and mentorship, and how it shapes TMChoir’s vision for the future of choral music.
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July 24, 2019
TMC brought famous American orchestras to Toronto in early 20th century
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In the early years of the 20th century, the Choir brought a number of stellar American orchestras to Toronto for concerts, including the Theodore Thomas Orchestra of Chicago (which became the Chicago Symphony Orchestra).
July 22, 2019
Toronto Mendelssohn Choir celebrates 125 years of contributions to the Toronto and Canadian choral scene
2019-20 Season
2019 marks TMC’s 125th anniversary. Founded in 1894, the Choir has performed in the 19th, 20th and 21st centuries, as Toronto went from a city of 200,000 to the Greater Toronto Area of over 6 million. Over its 125-year history the TMC is proud to have played a role in the development of Canadian classical choral music, particularly in Toronto. Discover some of Toronto’s choral music history through the TMC’s history.
July 3, 2019
Jarvis Street Baptist Church
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The founder of the TMC, Augustus Stephen Vogt, served as organist-choirmaster at Jarvis Street Baptist Church from 1888–1906, where his choir became known for its a cappella singing. In 1894, in founding the TMC, Vogt drew many of the choristers from his Jarvis Street Baptist Choir.
June 24, 2019
Toronto Symphony 2018-2019 #5: Romantic Opulence and Worldly Pleasures
2018-19 Season
Ken Stephen, Large Stage Live!. The combined forces of the Toronto Mendelssohn Choir and the Toronto Youth Choir acquitted themselves magnificently throughout the cantata, from the majestic opening cry of O Fortuna to the rapid-fire yet still completely clear diction of In taberna quando sumus or Veni, veni, venias. The steadiness of the tone was noteworthy and the choral blend across the full dynamic range was an unfailing delight.
June 21, 2019
Unlikely Pairing Of Orff And Korngold Hits The Spot In TSO Revival
2018-19 Season
Joseph So, ludwig van Toronto. From the downbeat of “O Fortuna” onwards, it was a sonic journey of extraordinary impact. Sometimes this piece can come across as a tad bombastic, but under Runnicles’s baton, it was plenty loud but never overdone. There were moments of subtlety, underscoring the inherent lyricism of the work. But at the climaxes, it was thrilling, thanks to the inspired playing by the TSO, notably the brass and the woodwinds. …
And what can I say about the three choirs, except that they are the best. It was headed by the Toronto Mendelssohn Choir, surely a national treasure. The torrents of sounds were thrilling, full-bodied, incisive, rhythmically precise, exactly the way it should sound. The ending, a recap of the opening “O Fortuna,” was exhilarating, bringing the audience to its feet.
June 20, 2019
Pathways to the past with TSO Carmina Burana
2018-19 Season
Leslie Barcza, barczablog. I’ve heard a lot of versions of Carmina Burana and must recommend Runnicles’ distinctive interpretation. He connects the sections together rather than making big pauses, he pushes the tempi in the quicker passages, which is especially electrifying if you get your percussion & brass to opt for clear & crisp attacks. You won’t hear a better performance. This orchestra is in fine form coming towards the last few concerts of the year (this week & next).
Credit too must go to David Fallis, who has the Toronto Mendelssohn Choir matching Runnicles’ requirements for clarity. The text was pristine, the dynamics sometimes beautifully restrained except in the big climaxes, so that the performance had more shape than usual (more than last time certainly). The soft singing still had great intensity, diction and consonants and energy but without being loud all the time. As a result? Extraordinary. If I could go see every concert this week, I would.
June 17, 2019
Toronto Mendelssohn Choir commissions new work from composer Andrew Balfour to help celebrate TMC’s 125th anniversary
2019-20 Season
The Toronto Mendelssohn Choir, under Interim Conductor David Fallis, has commissioned a new work from acclaimed Cree composer Andrew Balfour, to be premiered at the TMC’s 125th anniversary gala on October 20, 2019. The 10-minute work, titled Mamachimowin (The act of singing praises), will be a partial setting of Psalm 67 translated into Cree. It will be scored for SSATTB , violas, cellos and double basses. Of Cree descent, Winnipeg-based composer Andrew Balfour is an innovative composer, conductor, singer and sound designer with a large body of choral, instrumental, electro-acoustic and orchestral works.
May 27, 2019
TMC announces retirement of Executive Director Cynthia Hawkins
2019-20 Season
For the past 14 years, Executive Director Cynthia Hawkins has been the administrative leader of the Toronto Mendelssohn Choir. Earlier in May she informed the TMC Board of Directors that she would be taking her retirement at the end of August. In her letter to the Board, Cynthia stated “My work with the Toronto Mendelssohn Choir has been the highlight of my professional career. I will miss the choristers, TMC staff and the excitement of performances very much.”


