Rena Roussin is a doctoral candidate in musicology at the University of Toronto, and is currently writing a doctoral dissertation on constructions of disability and gender in Joseph Haydn’s operas and oratorios. More broadly, her research interests include conceiving of art music and music theatre as forms of activism and social justice in historic and current contexts. As a Métis and settler woman with additional Haida ancestry, Rena also has a major interest in the ways art music in Canada might work in solidarity with Indigenous artists, communities, and peoples to realize equity and reconciliation. She is an active public musicologist, and in addition to her work with the TMC, also serves on the curatorial/editorial board of Musicology Now, the Canadian Opera Company’s Indigenous Circle of Artists, and as a Guest Curator for Soundstreams’ 2022-23 Indigenous Encounters concert series. Rena is also a pianist and vocalist.