David Perlman, The Wholenote: conversation with TMC Artistic Director Noel Edison. Enjoy the video of their conversation.
Arthur Kaptainis, National Post: This was an energetic finale, vital in rhythm and full of spirit. The 130-plus singers of the Toronto Mendelssohn Choir were scattered democratically in the choir loft rather than partitioned into sections. They made a joyous, united sound. Nor was there any price in clarity in the double fugue. Maybe this unusual configuration has a future.
After almost thirty years as Kapellmeister to the court of Esterháza, Joseph Haydn was let go in 1790 becoming a very successful freelance composer. The Esterházys awarded him a pension, allowing for a comfortable retirement, and stipulated that Haydn’s one remaining task be to compose and direct a new mass once a year to honour the name-day of Princess Marie Esterházy. The last six masses by Haydn were all for this purpose, the most famous being the so-called “Lord Nelson” Mass.
Toronto, 1894: the last horse-drawn streetcar made its run in Toronto; Massey Hall was built; and the Toronto Mendelssohn Choir was founded, presenting its
first concert in 1895. Throughout its 120-year history, and under the leadership of seven renowned conductors, the Choir has been acclaimed for its stunning performances of major choral repertoire and for its important role in the life of choral music in Canada.