Toronto Mendelssohn Choir and Huddersfield Choral Society combine to create choral ecstasy!

Dave Richards, Toronto Concert Reviews. Yesterday’s concert was a momentous celebration of the great music that grew out of the nineteenth century British choral tradition. It included the music of the famed British composers Elgar, Vaughan Williams, Parry, Holst, Stainer, Sullivan and Tavener as well as Canadians Healey Willan and Elizabeth Ekholm, each heavily influenced by the musical traditions of England. The concert began with organist Michael Bloss performing the long introduction to Handel’s Coronation Anthem Zadok the Priest. The first sound of the two hundred voice combined choir shook me so intensely that the majesty of the music overwhelmed me at a visceral level. It was a sound that produced goosebumps throughout the entirety of my body.
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Categories: 2016-2017 Season and Media Reviews.

Good Friday with the Toronto Mendelssohn Choir

The concert opened with Gregorio Allegri’s Miserere mei, Deus -- the piece that will forever be associated with the brilliance (and cheekiness) of Mozart, who, at the age of fourteen, wrote it down from memory after just one hearing. With the Miserere, Edison established an aesthetic tone that would govern most of the program: a precise and spacious treatment, notable for perfect intonation and for its restrained approach to tempo and dynamics. I don’t know who the unnamed stratospheric soprano was whose voice soared above all others, but her contribution was impressive.
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Categories: 2016-2017 Season and Media Reviews.

Toronto Mendelssohn Choir soars in a heavenly a cappella performance of sacred music!

David Richards, Toronto Concert Reviews. The pared down version of the choir, The Mendelssohn Singers, sang the first half of the program from the balcony above and behind the nave. The positioning gave a wonderfully mystic effect to the music, allowing the audience to focus on the sounds that reverberated off the arched columns and the vaulted ceiling of the ornately decorated church. The music of Allegri, Pärt and Sanders all made use of plainsong and choral responses to give life to the texts. The recurring solo treble descants in Allegri's Miserere Mei, Deus were particularly beautiful, the high “C” ringing throughout the church. This was a cappella singing at its finest.
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Categories: 2016-2017 Season and Media Reviews.

Sacred Music for a Sacred Space, April 2017

The Toronto Mendelssohn Choir returns to the beautiful setting of St. Paul’s Basilica for its annual Good Friday concert of sacred choral music. This year, the Choir will present an all a cappella program, filling the Basilica with only the sound of 4-part and 8-part vocal harmony. There will be two performances: Wednesday April 12 and Good Friday, April 14, at 7:30 pm.
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Categories: 2016-2017 Season and Media Releases.

Sacred Music for a Sacred Space 2017 Program Notes

Noel loves the rich choral repertoire of the entire Easter season, and enjoys combining ancient music with contemporary. “The new has often been influenced by the old,” he says. “It’s like living in a modern house but with wonderful antique furnishings throughout. Both are worthy and both provide the sense of calm and personal reflection I love.”
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Categories: 2016-2017 Season and Program Notes.

Toronto Mendelssohn Choir delivers a dramatically powerful Elijah

David Richards, Toronto Concert Reviews. The Toronto Mendelssohn Choir celebrated conductor Noel Edison’s twentieth season at the choir’s helm with a stunningly powerful performance of Felix Mendelssohn’s iconic oratorio Elijah. Edison put together a formidable cast of soloists which together with the choir and orchestra, created a performance with all the passion one could imagine.
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Categories: 2016-2017 Season and Media Reviews.

TMC offers a powerful interpretation of one of the pinnacles of choral music – Felix Mendelssohn’s Elijah

The Toronto Mendelssohn Choir celebrates Artistic Director Noel Edison’s 20th anniversary season with the Choir with a performance of Felix Mendelssohn’s great oratorio, Elijah at Koerner Hall on November 5th. The 135-voice TMC and Festival Orchestra will be joined by four critically-acclaimed soloists. American bass-baritone David Pittsinger, praised for his roles in opera and as Emile de Becque in South Pacific, will make his debut performance of Elijah.
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Categories: 2016-2017 Season and Media Releases.

Fireworks! Mendelssohn’s Elijah Takes Off on Guy Fawkes Day

David Perlman, The Wholenote: What are the odds that there would be three separate perform­ances of Felix Mendelssohn’s final completed oratorio, Elijah, all taking place this coming November 5? It’s not as though there’s some particularly significant Mendelssohnian anniversary in the offing: he was born in 1809 and died in 1847, at age 38, 14 months after Elijah premiered, in English, at the Birmingham Town Hall, as part of the Birmingham Festival. But by one of those odd twists of planning and timing (and without any discussion among themselves), Toronto Mendelssohn Choir, Pax Christi Chorale and Chorus Niagara have all scheduled the work, same day and time, as a major part of their respective 2016/17 seasons.
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Categories: 2016-2017 Season and Media Reviews.

David Pittsinger on singing Elijah

"To be a vulnerable and honest storyteller is what every artist ultimately strives for and this piece abounds with opportunities for just that. It resides in an ecclesiastical lexicon with Bach’s Matthew Passion, and Handel’s Messiah, but uses Mendelssohn’s own Romantic style to great emotional effect."
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Categories: 2016-2017 Season and Program Notes.