Leonard Enns writes of his TMC commission, I will lift up mine eyes: Psalm 121 is typically read, and often set musically, as a text of assurance and comfort. My setting is similar in that regard. What I find compelling, though, is the second phrase of the psalm: "from whence commeth my help (?)." Many musical settings treat the phrase "from whence cometh my help" simply as a modifier (no question mark); i.e. "... the hills from whence cometh my help" (take, for example, Mendelssohn's "Lift thine eyes"). Most current translations, however, treat it as a question.
Artistic Director Noel Edison has always enjoyed the combination of Renaissance with contemporary music in a concert program. For him, it’s the similarity between the openness and simplicity of the structure of these compositions that works so well together.