TSO Interview: Toronto Mendelssohn Choir’s Noel Edison

For Sunday Night with the TSO on Classical 96FM (December 11, 2016 show), Classical96’s Kathleen Kajioka and TSO Principal Bass Jeff Beecher chat with TMC Artistic Director Noel Edison about preparing the Toronto Mendelssohn Choir to sing Handel’s Messiah with the Toronto Symphony Orchestra each year. Listen to their chat with Noel.
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Categories: 2016-2017 Season and Podcasts.

The Wholenote Discoveries: Review of Handel Messiah Chandos Recording

David Olds, The Wholenote December 2016 review of Chandos recording of Handel Messiah: this new recording does the Toronto Symphony Orchestra, Toronto Mendelssohn Choir and, indeed, Toronto itself proud.
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Categories: 2016-2017 Season and Media Reviews.

CD Review: Handel’s Messiah – Sir Andrew Davis

Andrew Fletcher, NEMM.org, UK. Sir Andrew Davis claims that for this new concert edition, he wanted to do a ‘grand’ version, and sought to “keep Handel’s notes, harmonies and style intact, but to make use of all the colours available from the modern symphony orchestra”. This goal is achieved, with an overall ‘bright’ feel that is vital, fresh and exuberant, but not overcooked.
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Categories: 2016-2017 Season and Media Reviews.

Messiah on Messiah turns out even

Michael Vincent, Musical Toronto and The Toronto Star. Toronto boasts over 30 Messiah’s performed across the city, and perhaps with the exception of New York City, makes Toronto Messiah Central. While there are a wide variety of offerings, The Toronto Symphony Orchestra and Tafelmusik remain the two standbys. Without being too competitive, it’s always fun to compare them.
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Categories: 2015-2016 Season and Media Reviews.

Toronto theatres offer three unique versions of Handel’s Messiah

Robert Harris, The Globe and Mail. Davis’s Messiah will be one of three quite different versions of the perennial favourite presented in Toronto next week, a bit shy of the 20 or so in the New York metropolitan area that the unfortunate junior critic for the New York Times is routinely assigned to review every season, but quite a bouquet nonetheless. The three Messiahs show the extreme versatility and adaptability of this amazing work, which has been pushed and pulled into innumerable, sometimes unrecognizable shapes over its two-and-a-half-century existence, but which manages to escape whole and healthy every time.
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Categories: 2015-2016 Season and Media Reviews.

TMC announces 2015/16 season

The TMC’s 2015/16 season will build on the success of the 2014/15 season and create great musical experiences for audiences– from the drama of the story of creation captured in music by Haydn, to the romance of choral lieder by Brahms and Schubert, and the contemplative space created in the works of contemporary composers.
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Categories: 2014-2015 Season and Media Releases.

Two takes on the enduring Messiah

Robert Harris of the Globe and Mail reviews the two Messiahs presented in Toronto this year: the Toronto Symphony with the Toronto Mendelssohn Choir, and Tafelmusik orchestra and chorus.
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Categories: 2014-2015 Season and Media Reviews.

Messiah vs Messiah: TSO Beats Tafelmusik this Year

Michael Vincent for the Toronto Star. Led by Welsh conductor Grant Llewellyn, the TSO presented an impressive and balanced performance, backed by an on-point orchestra and a full-throated Toronto Mendelssohn Choir. Read the full review online.
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Categories: 2014-2015 Season and Media Reviews.

Battle of the Messiahs: Toronto Symphony wins this round

Will the 10,000 people who go hear the show at Roy Thomson Hall get the better or worse experience than the 6,800 at Koerner and Massey halls? It’s long been a seesaw battle. Based on the Toronto Symphony’s first Messiah performance on Tuesday night and Tafelmusik’s on Wednesday, it’s the former that has a slight edge in 2013. First-time visiting conductor Christopher Warren-Green did a remarkable job of teasing out impressive details from Handel’s music — using less than three-dozen members of the TSO set against the 140 members of the Toronto Mendelssohn Choir.
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Categories: 2013-2014 Season and Media Reviews.

Concert review: This could be the Toronto Symphony’s best Messiah so far this century

Tuesday’s first performance of the Toronto Symphony’s five-concert run of Handel’s oratorio Messiah at Roy Thomson Hall was that rare beast: a triumph from brisk Overture to rousing Amen. This interpretation has it all: great soloists, a lean, expressive orchestra, superb choir and a cohesive performance approach from a veteran British conductor making his Toronto Symphony début.
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Categories: 2013-2014 Season and Media Reviews.