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Media Room

November 15, 2012

Mendelssohn Choir’s Carmina Burana Rocks Koerner Hall

2012-13 Season

The raw power of Karl Orff’s popular masterpiece, Carmina Burana, made me ecstatic the first time I heard it on record quite a few years ago. Last night’s performance at Koerner Hall by the Toronto Mendelssohn choir brought back that thrill and then some.

November 14, 2012

Carmina Burana Program Notes

2012-13 Season

The British composer Jonathan Dove (b. 1959) has composed in a variety of fields, including film scores, orchestral and chamber music and choral music, but he’s maybe best known for his operas and opera adaptations. As well as The Adventures of Pinocchio and Mansfield Park, based on the novel by Jane Austen, Dove has also created a two-evening chamber adaptation of The Ring of the Nibelung by Richard Wagner.

November 14, 2012

The Toronto Mendelssohn Choir vividly reminded its Koerner Hall audience on Tuesday night why Carmina Burana is one of the hits of 20th century music.

2012-13 Season

Artistic director and conductor Noel Edison led a performance of Orff’s arrangement for two pianos and percussion, providing all the rhythmic force this composition needs, while softening the sound a bit at times with the rich harmonies of two concert grand pianos in their full glory.

November 13, 2012

Preview: Carmina Burana makes for vivid night of Toronto Mendelssohn Choir song at Koerner Hall

2012-13 Season

If Tuesday night’s dress rehearsal is any indication, the Toronto Mendelssohn Choir’s Wednesday performance of Carl Orff’s Carmina Burana should make for a powerful evening of music.

The music from the most popular piece ever written by German composer Carl Orff (1895-1982) has been used in film and television and all sorts of advertising because of its raw power. Today, 75 years after its premiere in Frankfurt, Orff’s collection of 24 songs and poems found in a Benedictine abbey still packs a visceral punch.

The Toronto Mendelssohn Choir’s performance, the latest of many over its long history, added the beauty of three excellent soloists, some wonderfully subtle shaping by conductor and artistic director Noel Edison, and a nicely executed accompaniment by pianists James Bourne and Michel Ross as well as the TorQ Percussion Quartet.

November 2, 2012

TSO polishes Spanish Operatic Gem to perfection

2012-13 Season

Through all the conventions of the modern symphony-going experience – the frantic drive through downtown traffic, the last-minute rush to the washrooms, the musicians filing on stage dressed for a funeral, the rustling, coughing cacophony – through all this, art broke through. The real thing. Like a brilliant burst of the sun – warm, bright, exhilarating. Doesn’t happen all the time.

November 2, 2012

La vida breve review: Opera packs a lot of red-blooded emotion

2012-13 Season

The Toronto Symphony Orchestra was on fire — as were its many guests, including a substantial contingent from the Toronto Mendelssohn Choir and Spanish conductor Rafael Frühbeck de Burgos.

November 1, 2012

Concert review: Toronto Symphony makes fiery work of Manuel de Falla’s opera La vida breve

2012-13 Season

The Toronto Symphony Orchestra was on fire — as were its many guests, including a substantial contingent from the Toronto Mendelssohn Choir and Spanish conductor Rafael Frühbeck de Burgos.

October 23, 2012

Toronto Choir sings with Streisand

2012-13 Season

CTV News story about Toronto Mendelssohn Choir’s singing back-up vocals for the Barbra Streisand concert at the Air Canada Centre.

May 23, 2012

Belshazzar’s Feast Program Notes

2011-12 Season

The Gloria by Francis Poulenc (1899 -1963) was commissioned by the Koussevitsky Music Foundation and first performed in 1961 by the Boston Symphony Orchestra conducted by Charles Munch. It was dedicated to the memory of Nathalie and Serge Koussevitsky, a former Music Director of the BSO. To many, the work seemed irreverent – this ancient sacred text from the Mass being treated frivolously with wit and humour. But what they failed to catch was Poulenc’s interpretation of liturgical joy as a swirl of musical colour and dancing rhythms.