Michael Johnson, Concertonet
Beethoven’s Missa Solemnis doesn’t come around often enough, a fact that prevents it from becoming stale – and all the more reason to welcome it when it does get programmed. This was the final program this season presented under the Toronto Mendelssohn Choir’s own auspices, which I suspect is why the full complement of 122 singers was used. This turned out to create an acoustic overload in the 1100-seat hall, the effect of which was exhilarating most of the time.
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