Toronto Mendelssohn Choir’s Haydn and Handel celebration lifts the spirits on a blustery winter night!

Dave Richards, Toronto Concert Reviews. It was a miserable night to trudge downtown. The six or more inches of snow and slush were enough to discourage many from heading out. By mid-afternoon in Oakville when I learned that the GO trains would be cancelled for several hours, my own attendance was put in doubt. But for those of us who did brave the weather to St. Andrew’s Church, The Toronto Mendelssohn Choir and their Interim Conductor and Artistic Director David Fallis made it more than worth our effort with a celebration of Haydn and Handel.
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Categories: 2018-2019 Season and Media Reviews.

Conductor David Fallis to lead Toronto Mendelssohn Choir, orchestra and stellar soloists in Haydn’s Missa in tempore belli and Handel’s Coronation Anthems

Conductor David Fallis has put together a stellar group of soloists for this concert of two beloved 18th century greats on February 27, 2019.  The Choir and orchestra will be joined by soprano Mireille Asselin, mezzo-soprano Christina Stelmacovich, tenor Asitha Tennekoon, and bass-baritone Stephen Hegedus. Of the Missa in tempore belli, David writes in the program notes: “The mass has many extraordinary touches. The overall feel is optimistic and confident, appropriate to the basic key of C major, but the beautiful cello and bass singer duet at the Qui tollis in the “Gloria”, the deeply moving Et incarnatus est in the “Credo” and the gorgeous harmonic colouring at so many moments mark this mass as the work of a great composer working at the height of his powers.”
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Categories: 2018-2019 Season and Media Releases.

Program Notes: Handel and Haydn, February 2019

Haydn's Missa in tempore belli (Mass in time of war) is so called because it was written in 1796-97 as Napoleon’s forces were advancing towards Vienna. In German-speaking countries it is often referred to as the Paukenmesse (Timpani Mass): the timpani does play a significant part in the mass, especially in the Agnus Dei where Haydn uses a brilliant drum solo to heighten the intensity of the movement’s prayer for mercy and peace. The mass has many extraordinary touches. The overall feel is optimistic and confident, appropriate to the basic key of C major, but the beautiful cello and bass singer duet at the Qui tollis in the “Gloria”, the deeply moving Et incarnatus est in the “Credo” and the gorgeous harmonic colouring at so many moments mark this mass as the work of a great composer working at the height of his powers.
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Categories: 2018-2019 Season and Program Notes.